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09-Apr-2017 12:29

After a few violin lessons she was able to practice and study on her own.

Her progress on her first instrument was extraordinary.

Spalding was not only playing acoustic and electric bass with imagination and an authority far beyond her years, she was also singing with grace and conviction in English, Spanish and Portuguese.

On the strength of its enthusiastic reviews in the jazz press, Esperanza flew to the top of Billboard magazine’s contemporary jazz chart and remained on the list for over 70 weeks.

On the even more ambitious follow-up, Radio Music Society (2012), she played her own compositions alongside an eclectic selection of tunes by everyone from the Beach Boys to one of her heroes, jazz great Wayne Shorter.

American Academy of Achievement youth delegate Esperanza Spalding mesmerizes the audience at the 2014 International Achievement Summit in San Francisco with her expressive singing and inventive bass playing.

Spalding toured and played with a host of well-known artists, including Joe Lovano, Patti Austin, Michel Camilo, Charlie Haden, Regina Carter, Pat Metheny, Dave Samuels, and many others, while heading her own jazz trio.

By the time she graduated at age 20, she was supporting herself with her music and was asked to teach at Berklee.

She was the youngest instructor in the school’s history.Over the next ten years, she learned guitar with her mother, taught herself piano, and experimented with the clarinet and oboe.By 15, she was concertmaster (lead violinist) with the Chamber Music Society and ready to pursue her original dream of playing the cello.With the encouragement of her instructors, she transferred after a year to Boston’s Berklee College of Music, where she completed her undergraduate degree in only three years.